GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON-Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON- Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON- Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZA
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZA
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZA
English National Ballet, Costume painter, 'Dance Journeys'. Photograph: Laurent Liotardo Designer: Louie Whitemore
English National Ballet, Costume painter, 'Dance Journeys' Photograph: Laurent Liotardo Designer: Louie Whitemore
English National Ballet, Costume painter, 'Dance Journeys'. Photograph: Laurent Liotardo Designer: Louie Whitemore
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight
Charles Court Opera: Design Assistant and prop maker, The Mikado, Kings Head Theatre
Charles Court Opera: Design Assistant and prop maker, The Mikado, Kings Head Theatre
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
The Magic Flute- Charles Court Opera- Set and prop Design assist- Photo: Mark McNulty
HMS Pinafore- Charles Court Opera- Scenic artist and design assist- Photo: Mark McNulty
The Magic Flute- Charles Court Opera- Set and prop Design assist- Photo: Mark McNulty
King Tut, a Pyramid Panto-Charles Court Opera- Scenic artist and design assist- Photo: Mark McNulty
END OF ! - Sydenham Arts- Set and props designer, workshop designer and facilitator
END OF ! - Sydenham Arts- Set and props designer, workshop designer and facilitator
The Man in The Moon, Set, costume, props designer. Concordia Foundation, photo: Mark Mcnulty
The Man in the Moon 'Future Earth' set. The Man in The Moon, Set, costume, props designer. Concordia Foundation, photo: Mark Mcnulty
The Bug and the Butterfly- Polka Theatre- scenic artist and props
The Bug and the Butterfly- Polka Theatre- scenic artist and props
James and The Giant Peach- Polka Theatre- scenic artist and props repair
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON-Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON- Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. SOUTHBANK CENTRE, PURCELL ROOM. PHOTOGRAPHER: JACK THOMSON- Nominated for Best Dance Production at the Black British Theatre Awards.
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'EVE AND CAIN'. SET, PROP AND COSTUME DESIGNER. QUEENS THEATRE HORNCHURCH. PHOTOGRAPHER: JACK THOMSON
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZA
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZA
GATEWAY ARTS 'SATURN RETURNS'. SET, PROP AND COSTUME DESIGNER. BRIXTON HOUSE. PHOTOGRAPHER: MATT CARNAZZAhttps://saltertonartsreview.com/2022/09/saturn-returns-southbank-centre-london/
English National Ballet, Costume painter, 'Dance Journeys'. Photograph: Laurent Liotardo Designer: Louie Whitemore
English National Ballet, Costume painter, 'Dance Journeys' Photograph: Laurent Liotardo Designer: Louie Whitemore
English National Ballet, Costume painter, 'Dance Journeys'. Photograph: Laurent Liotardo Designer: Louie Whitemore
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight EXPRESS G&S IN THE PRESS "An entertaining whistle-stop tour of Gilbert and Sullivan, framed within an Orient Express-style crime mystery." - The Stage ⭐⭐⭐⭐⭐ “A glorious piece of nonsense... ingenious” - Reviews Hubb⭐⭐⭐⭐⭐ "A major coup of riotous jollity... just the ticket to raise your spirits" - Fairy power productions ⭐⭐⭐⭐⭐ "Well-nigh perfect entertainment" - Lastminutetheatretickets.com ⭐⭐⭐⭐ "G&S meets Agatha Christie meets Monty Python" - Spy in the stalls ⭐⭐⭐⭐ "Top notch" - London Pub TheatresOFFIES NOMINATION- Company’s Ensemble.
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight EXPRESS G&S IN THE PRESS "An entertaining whistle-stop tour of Gilbert and Sullivan, framed within an Orient Express-style crime mystery." - The Stage ⭐⭐⭐⭐⭐ “A glorious piece of nonsense... ingenious” - Reviews Hubb⭐⭐⭐⭐⭐ "A major coup of riotous jollity... just the ticket to raise your spirits" - Fairy power productions ⭐⭐⭐⭐⭐ "Well-nigh perfect entertainment" - Lastminutetheatretickets.com ⭐⭐⭐⭐ "G&S meets Agatha Christie meets Monty Python" - Spy in the stalls ⭐⭐⭐⭐ "Top notch" - London Pub TheatresOFFIES NOMINATION- Company Ensemble.
G&S EXPRESS - SET, COSTUME, PROPS DESIGN- Jessie Huckin Company- Charles Court Opera Photo- Bill Knight EXPRESS G&S IN THE PRESS "An entertaining whistle-stop tour of Gilbert and Sullivan, framed within an Orient Express-style crime mystery." - The Stage ⭐⭐⭐⭐⭐ “A glorious piece of nonsense... ingenious” - Reviews Hubb⭐⭐⭐⭐⭐ "A major coup of riotous jollity... just the ticket to raise your spirits" - Fairy power productions ⭐⭐⭐⭐⭐ "Well-nigh perfect entertainment" - Lastminutetheatretickets.com ⭐⭐⭐⭐ "G&S meets Agatha Christie meets Monty Python" - Spy in the stalls ⭐⭐⭐⭐ "Top notch" - London Pub TheatresOFFIES NOMINATION- Company Ensemble.
Charles Court Opera: Design Assistant and prop maker, The Mikado, Kings Head Theatre★★★★★ "FIVE-STAR HEAVEN” - WHAT'S ON STAGE
Charles Court Opera: Design Assistant and prop maker, The Mikado, Kings Head Theatre★★★★★ "FIVE-STAR HEAVEN” - WHAT'S ON STAGE
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
ORFEO- WILTON'S MUSIC HALL- PROP MAKER AND DESIGN ASSIST- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
OPERA NORTH, MINI MAGIC FLUTE, BBC LEEDS FESTIVAL, SET DESIGNER AND MAKER- JESSIE HUCKIN
The Magic Flute- Charles Court Opera- Set and prop Design assist- Photo: Mark McNulty"TRULY MAGICAL... his (Savournin's) most glorious production yet... Whether you are a seasoned opera-goer looking for something a little different this is a real treat; if you have never been to an opera before, this would be a glorious way to start." ★★★★ Daily Express "OUTSTANDING... A fun evening for Flute aficionados - but also for novices out for a wacky time away from phones." Islington Tribune "A stronger ensemble I have not seen in a long time / contains messages that are painfully relevant to the world we live in today... will delight opera veterans and convert new comers alike’" ★★★★★ London Pub Theatres "Hilarious performances, beautiful singing and outstanding design". ★★★★ Everything Theatre "This endlessly witty and inventive production absolutely charmed my pants off." ★★★★ planethugill.com Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night at the opera. Fortunately for us, Charles Court Opera’s production of The Magic Flute at the King’s Head Theatre refreshingly does away with rows of seats, facing a stage, overlooking an orchestra, and puts us firmly in the thick of it. ★★★★ Everything Theatre
HMS Pinafore- Charles Court Opera- Scenic artist and design assist- Photo: Mark McNulty
The Magic Flute- Charles Court Opera- Set and prop Design assist- Photo: Mark McNulty"TRULY MAGICAL... his (Savournin's) most glorious production yet... Whether you are a seasoned opera-goer looking for something a little different this is a real treat; if you have never been to an opera before, this would be a glorious way to start." ★★★★ Daily Express "OUTSTANDING... A fun evening for Flute aficionados - but also for novices out for a wacky time away from phones." Islington Tribune "A stronger ensemble I have not seen in a long time / contains messages that are painfully relevant to the world we live in today... will delight opera veterans and convert new comers alike’" ★★★★★ London Pub Theatres "Hilarious performances, beautiful singing and outstanding design". ★★★★ Everything Theatre "This endlessly witty and inventive production absolutely charmed my pants off." ★★★★ planethugill.com Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night at the opera. Fortunately for us, Charles Court Opera’s production of The Magic Flute at the King’s Head Theatre refreshingly does away with rows of seats, facing a stage, overlooking an orchestra, and puts us firmly in the thick of it. ★★★★ Everything Theatre
King Tut, a Pyramid Panto-Charles Court Opera- Scenic artist and design assist- Photo: Mark McNulty★★★★ 'Every panto box is ticked, including cross-dressing, talking animals, dreadful puns and an utterly bonkers plot.... once again, Charles Court Opera proves that panto need not be Grimm to succeed!' - The Stage ★★★★★ 'I loved every minute! I laughed, I cried, I groaned at the jokes and sang along with gusto... Charles Court Opera have really pulled out all the stops to produce a truly excellent show.' - London Theatre 1 ★★★★★ 'Pure frivolity, wonderfully funny and jam-packed with utter silliness... this crazy adventure will have you smiling and laughing from start to finish, even the biggest scrooge couldn't help but get carried away!' - Theatre Weekly ★★★★ 'Charles Court Opera bring their unique blend of operatic voices and crazy plots back to the King's Head Theatre... you'll enjoy it's wit and invention and opportunity to indulge your inner child.' - Broadway World
END OF ! - Sydenham Arts- Set and props designer, workshop designer and facilitator
END OF ! - Sydenham Arts- Set and props designer, workshop designer and facilitator
The Man in The Moon, Set, costume, props designer. Concordia Foundation, photo: Mark Mcnultyhttp://www.charlescourtopera.com/man-in-the-moon.html
The Man in the Moon 'Future Earth' set. The Man in The Moon, Set, costume, props designer. Concordia Foundation, photo: Mark Mcnulty
The Bug and the Butterfly- Polka Theatre- scenic artist and props
The Bug and the Butterfly- Polka Theatre- scenic artist and props
James and The Giant Peach- Polka Theatre- scenic artist and props repair
info
/
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
